The Truth About Biblical Marriage
Marriage in the Bible was not about one man and one woman. It was about fluid polyamorous arrangements in which women and men both had multiple sexual partners.
Lyrics of this religious music video:
Does the Bible say that marriage is between one man and one woman? Hell no!
There was no patriarch more patriarchal than Abraham
and Abraham had more than one ma’am.
Every time Abraham and Sarah traveled out of town
Abraham pretended Sarah was his sister
and encouraged other men to have sex with her.
Don't get mad at me about Abraham.
He was the Bible's kind of man.
Everything I'm saying here is in the Bible.
Did you read it? It's in the Bible.
Sarah told her husband Abraham to get a second wife.
Abraham had concubines too.
So according to the Bible marriage is between one man and one woman
and a lot of other men
and a lot of other women
and some concubines thrown into the mix.
Don't get mad at me about Abraham.
He was the Bible's kind of man.
Everything I'm saying here is in the Bible.
Did you read it? It's in the Bible.
Oh, the Bible says that if you want to live a godly life
you won't have just one wife
or one husband.
The Bible says it wants you to sleep around.
Oh God yes!
Oh yes God!
Oh God yes!
Let's get it on.
Analysis of the song: The song's argument is not based on abstract principles but on specific, cited examples from the biblical text itself, primarily the story of Abraham. By using a foundational patriarch of Judaism, Christianity, and Islam as its main exhibit, the lyrics make a powerful point: if the most revered figures in the Bible did not practice monogamy, then the claim that the Bible mandates it for everyone is historically false.
This music video mounts a direct challenge to the listener's assumptions about Christian faith. It implies that anyone who holds a "one man, one woman" view as the only biblical view has either not read the Bible in its entirety or is deliberately ignoring the parts that don't fit their agenda. It questions the authenticity and intellectual honesty of modern biblical literalism.
The song ends with a sudden, jarring shift into what sounds like ecstatic, carnal prayer. "Oh God yes! oh yes God!" mimics the cadence of charismatic worship, but the context makes it clear this is a cry of sexual liberation, not spiritual devotion. "Let's get it on" is a direct, unambiguous command. This ending serves to fully reclaim sexuality from religious condemnation. It takes the "Oh God" of the bedroom and fuses it with the "Oh God" of the church, suggesting that the physical and the spiritual can be one, and that this union is a cause for celebration, not shame.
It's the ultimate "hell no" to puritanism.
That kind of liberation is what the Demonic Bible is all about.